About
Long hair, no shoes, camera.
My purpose
More than capture, I believe. I believe God puts our talents at the service of other people — this work is how I get to touch your life. So what I make is not the record of a day: it's your declaration of love, told in images.
I photograph what actually happens: the glance that lasts half a second, the laugh nobody was ready for, the quiet charge between two people who forgot there's a camera. What moves, never what poses.
Come as you are. Barefoot is fine. Barefoot is better.
Ten years ago a camera took my life somewhere I hadn't planned on going. It started as curiosity and turned into the way I get close to people — myself first, then everybody I photograph.
I believe in honest, wildly elegant, ethereal storytelling. The kind that doesn't age, doesn't perform, and doesn't ask you to be anything other than exactly who you are.
The best frames are never the planned ones. They're the glance across the room, the dress going sideways in the wind, the laugh nobody saw coming. Beauty shows up where nobody arranged it — and my whole job is being ready when it does.
I'm a man shaped by the sea. Born and raised in Baja Sur, salt and desert light, mostly barefoot. This place taught me to wait — and most of this job is waiting well.
Beauty without fear of being real.
And when the moment asks for it — when you need to be loud, ridiculous, completely yourselves — I'll push you there too. I follow more than I direct. Right up until I don't.
What I shoot with
- Bodies
- Sony A7R V · A7 IV · FX3
- Glass
- 35mm f/1.4 · 50mm f/1.2 · 85mm · 70–200mm
- On film
- 36 frames, every wedding
- From above
- DJI Mavic 4 Pro
Gear is the least interesting thing about a photograph and it's still the first thing people ask. So: fast glass, natural light, and one film body that forces me to slow down and choose.
